Saturday, October 12, 2013

30 Days of Halloween - Day 11: A Gruesome Dance (by George MacDonald)

For today's post, enjoy the following excerpt from George MacDonald's wonderfully strange dark fantasy novel, Liltith: A Romance (1895), chapter XVI, 'A Gruesome Dance':

About midnight I came wide awake, roused by a revelry, whose noises were yet not loud... I was lying on my withered leaves in the corner of a splendid hall. Before me was a crowd of gorgeously dressed men and gracefully robed women, none of whom seemed to see me. In dance after dance they vaguely embodied the story of life, its meetings, its passions, its partings... The dancers were attired in fashion as ancient as their dances.
A moon had risen while I slept, and was shining through the countless-windowed roof; but her light was crossed by so many shadows that at first I could distinguish almost nothing of the faces of the multitude; I could not fail, however, to perceive that there was something odd about them: I sat up to see them better.—Heavens! could I call them faces? They were skull fronts!—hard, gleaming bone, bare jaws, truncated noses, lipless teeth which could no more take part in any smile! Of these, some flashed set and white and murderous; others were clouded with decay, broken and gapped, coloured of the earth in which they seemed so long to have lain! Fearfuller yet, the eye-sockets were not empty; in each was a lidless living eye! In those wrecks of faces, glowed or flashed or sparkled eyes of every colour, shape, and expression. The beautiful, proud eye, dark and lustrous, condescending to whatever it rested upon, was the more terrible; the lovely, languishing eye, the more repulsive; while the dim, sad eyes, less at variance with their setting, were sad exceedingly, and drew the heart in spite of the horror out of which they gazed.
I rose and went among the apparitions, eager to understand something of their being and belongings. Were they souls, or were they and their rhythmic motions but phantasms of what had been? By look nor by gesture, not by slightest break in the measure, did they show themselves aware of me; I was not present to them: how much were they in relation to each other? Surely they saw their companions as I saw them! Or was each only dreaming itself and the rest? Did they know each how they appeared to the others—a death with living eyes? Had they used their faces, not for communication, not to utter thought and feeling, not to share existence with their neighbours, but to appear what they wished to appear, and conceal what they were? and, having made their faces masks, were they therefore deprived of those masks, and condemned to go without faces until they repented?
"How long must they flaunt their facelessness in faceless eyes?" I wondered. "How long will the frightful punition endure? Have they at length begun to love and be wise? Have they yet yielded to the shame that has found them?"
I heard not a word, saw not a movement of one naked mouth. Were they because of lying bereft of speech? With their eyes they spoke as if longing to be understood: was it truth or was it falsehood that spoke in their eyes? They seemed to know one another: did they see one skull beautiful, and another plain? Difference must be there, and they had had long study of skulls!
Edward Burra, 'Dancing Skeletons', 1934